Tag Archives: Childrens Book

Money made publishing “Dreams” possible

Dreams of a Rocking Pony is the first self-published title I feel really good about putting out there and promoting. Not one single typo, cover-to-cover, glossy finish, attractive artwork, “Luminare Press” stamp at the bottom of the first, beautiful blue page. The book makes me feel alive. It makes me feel like me. The me who writes–and publishes–books.

But I can’t really take the credit…money can.

I have been writing poetry, essays, memoir and children’s books for well over a decade. I began writing in high school, and in 2023 I will have been out of high school for 20 years! I have multiple projects just sitting in my writing den collecting dust bunnies. There’s the big project, a memoir, which I have spent most of my creative time on: I’ve workshopped it, critiqued it, hired a professional editor, had my best writing friend beta read it, and I’m critiquing it again, now. It still doesn’t feel perfect, but in August I will be pitching it at a professional writers’ conference. (Fingers and toes all crossed.)

My other projects include: “Do Nothing, Alone,” a children’s book on meditation, “Earthside and Other Everyday Miracles,” a collection of essays, “Mama Bird,” a farm memoir…I also have two other projects that don’t have names, but tons of material has already been written for those books, too.

Dreams isn’t the best representation of my work. (I realize that saying this risks putting you in the position of not wanting to buy the children’s book. But don’t let what I’m about to say stop you, just hear me out.) Dreams is the best representation of my grandmother, the illustrator’s, work. The book also illustrates the level of professionalism that comes from hiring a publisher to print it, and what a little money, used with the right intention, can do.

This experience–publishing Dreams–will probably change my outlook on self-publishing forever. In short, I will never do the formatting, cover design, and publishing work again all on my own. I will only hire professionals from here on out…as long as I can afford to. (And if I can’t afford to, I will save the money until I can!)

My first two self-published titles–Love, Blues, Balance and New Moon, were 100% free and 100% created by me. It was a painstaking process formatting the pages, creating a table-of-contents, and getting it all to line up appropriately formatting-wise on KDP (Amazon’s direct publishing platform). I don’t even think that one of the books has page numbers. It was perfect at the time, however, because it cost me nothing. It was a good experience and I had fun. Especially designing the covers.

But I didn’t LOVE the books. I could see all the little errors.

Fast-forward 5 years and my grandmother and I have just co-created Dreams. (I wrote about that experience here, in my previous blog post.) We joked about having the book published for real and I knew that self-publishing a children’s book myself through KDP was going to be a challenge. Publishing a book with illustrations was next level! I would need some help.

Honestly at first, when I got the price quote, I tabled the idea for many months. The pandemic was dragging on and on and, finally, while taking stock of my life and priorities, I decided that publishing a book with my grandmother was the thing I wanted to do most. My intentions around book publishing came into clearer focus when I received an unexpected financial boost. And yet the entire experience has taught me that I should value my work enough to have it bound professionally, even if I have to save money all year to do it.

Writers write. Book cover designers create book covers. Publishing presses print books. I learned through all of this to let others do what they do best. And then do what you do best. For a long time, I thought I had to become all of those other things…just to bring my words into the light. Now I know better. Now I see the piles of dusty papers in my writer’s den from a new, more optimistic, angle. They will, someday, get published. And I credit this book, Dreams of a Rocking Pony, for teaching me a valuable lesson about writing and publishing: That for 1/3 the price of a used car, I can bind–and sell–a beautiful freaking book.

The story behind “Dreams of a Rocking Pony.”

By the time you get around to reading this I hopefully will have packaged up about 25 pre-orders of “Dreams of a Rocking Pony,” shipping them off to Cottonwood, Arizona; West Palm Beach, Florida; and Austin, Texas, to a name a few. The book is going to some cold places too, like Billings, Montana, which is currently buried in snow.

In light of this incredible milestone of publishing a book with my grandmother, I wanted to share the story of what got us here, of how we came to complete this passion project, together.

In the Spring of 2019, when Autumn was just a few months old, we were visiting her Great Grandmother Peggy (I’ve always just called her “Peggy”). Peggy had recently, in the last year or so, completed a series of paintings of whimsical, playful animals. She was a lifelong painter so this was no surprise. Then Peggy made copies of the paintings and pasted them together in a book. She wrote small descriptions of the animals, such as, “a trick skunk black-and-white.” She presented the book to Autumn as a gift, gluing a piece of rabbit fur on the book bind, a little detail that was in perfect Peggy-fashion.

Autumn loved the book (as much as babies can express themselves anyway) and so did we. Peggy then asked me to help toy with the wording, creating more of a storyline to accompany to illustrations. We put in some time on the wording and joked about having the book published together someday (clearly once you see the illustrations, most, if not all, of the credit goes to her!).

Then the pandemic happened. The visits to Arizona stopped. The book got read and worn and read some more. I started taking stock of what was most important to me (I think we all did) during this time. I thought about the things I wanted to invest in. I thought: What if I did pursue publishing that book? Wouldn’t that be cool?

During this time I researched publication for children’s books, eventually settling on Luminare Press in Eugene (which is to say we didn’t settle at all, they are fantastic!). I decided to surprise Peggy with the book, and did just that when she received her proof copy in the mail on January 19th!

Now, almost a month later, and the book is live and ready-to-order on Amazon. Come February 11th we will celebrate our true “Pub Day,” when we receive a box of 75 books ready to be shipped directly to our readers.

It feels good to be typing this. Not because I am super proud of myself, I am not. I am most proud of my grandmother, the illustrator. I am most proud of the publishing house, including their cover design artist, Claire. And I am most proud of my daughter, Autumn, for inspiring it all. It feels good to be typing this because this was our pandemic silver lining. This book was a beautiful glimmer of something different and luminous in 2020. And honestly, I think you’ll like it a lot, too.

Love,

Mama Bird

Dream to Reality: I’m Publishing a Book With My Grandmother!

This pandemic has given me something: the ability to identify what truly matters to me. What I need around me and what I don’t. Who matters to me. What brings the most joy. How to uplift myself. What to keep. What to let go.

This morning I signed a document for publishing services for a children’s book that my grandmother illustrated and we both co-wrote. The book “Dreams of a Rocking Pony” will be in print sometime during the spring of 2021!

Several months ago, pre-pandemic, Peggy (Peggy is my grandmother’s name, which I’ve always called her by) and I loosely inquired about getting “Dreams of a Rocking Pony” published. Peggy is a fine artist by trade, who works with acrylic, and she’d sent Autumn a book she wrote and illustrated (pictured above) around the time of her birth. I got to fiddling with the wording some more and the next thing you knew we’d created a children’s book together! We didn’t pursue the book contract at the time, we weren’t sure how much we wanted to pay for our little project. And then the pandemic happened, so it was like whatever.

Fast forward to now. The long, drawn out months of the pandemic have given me more time than usual in my writing den (an office Steve and I share overlooking the sheep in the meadow). I kept coming back to the “Rocking Pony” project. Publishing a book with Peggy, what a neat thing that would be! Peggy, who is 86 now, still lives near Tucson. But we talk just about everyday.

So now, without her knowledge, but with her previous blessing, I reached out to the publishing house in Eugene, again. Only this time I submitted the illustrations, text and contract for the publication of a children’s book!

This surprising turn of events is inspiring me to think outside-the-box more. To try to see what’s already there. To celebrate the accomplishment that sat right in front of us: a playful exchange of art, morphing into a marketable book for children. A thing to reverberate our love out into the world. To prove that we were here, together.

You may not know, but along with my stacks of personal essays and boxes of memoir, I have two children’s books. Those manuscripts were written during a passionate period of writing in my twenties, and I hope to someday find an illustrator to complete them for publication. (But more on those later.) I know Peggy won’t be that illustrator. In the past four years alone I have seen her eyesight and mobility escaping her more and more. The “Dreams of a Rocking Pony” painting series (the illustrations are copies of a larger work) may end up being one of her last.

Between now and the end of our three month publishing deadline, I am sure to be dreaming of the joy I hope will come after revealing this surprise to my grandmother. (Of course I couldn’t get it together in time for Christmas. Doh!)

More about “Dreams of a Rocking Pony” when it’s published! NaNoWriMo (National Novel Writing Month) has been good to me this year, I’ve been extra focused on editing and publishing, and have another title in the works. Send a prayer for Peggy, this pandemic has been unkind.

Love,

Mama Bird