Visionboarding & Organization

My Memoir Visionboard doubles as a place to keep organized. Notice the blank spaces, those are for writing my "scenes to-do lists" which are the scenes I need to write, and then I'll cross them out as I go. And the wheel in the middle is my "full-circle story", which reveals that I've not yet completed the beginning but have written much of the content in the middle.
My memoir Visionboard doubles as a place to keep organized. Notice the blank spaces, those are for writing my “scenes to-do lists” which are the scenes I still need to write ( I’ll cross them out as I go). And the wheel in the middle is my “full-circle story”, which shows the general idea of my memoir starting at the top and traveling counter clockwise.
My full-circle story diagram. Its a start. It could definitely be elaborated on. It helps. I think.
My full-circle story diagram. It’s a start. It could definitely be elaborated on. It helps. I think.
My main goal of 2013 (if it happens sooner, great) is to find meaning in my story. Like, one meaning, or two, but no more than three. A "theme" if you will. A "take-home message". The "moral of the story".
My main goal of 2013 (if it happens sooner, great) is to find meaning in my story. Like, one meaning, or two, but no more than three. A “theme” if you will. A “take-home message”. The “moral of the story”.
I like this little corner of the Visionboard. Often as I'm writing in my journal I'll think of an idea like "Choose Your Own Adventure" ending and I'll just write that and a light bulb to signify "idea". Well, now I have an "idea" corner. For all my ideas about my memoir. It helps. I think.
I like this little corner of my Visionboard. Often as I’m writing in my journal I’ll think of an idea like “Choose Your Own Adventure Ending” and I’ll just write that and a light bulb to signify “idea”. Well, now I have an “idea” corner–to compile a list of my ideas.
My life Visionboard. It's more intracite than the other Visionboard, and every space is filled with images I clipped out of magazines.
My life Visionboard. It’s more intricate than the other Visionboard, and every space is filled with images I clipped out of magazines.
The idea is that you instinctively clip images and words without thinking too much about it and tape or paste them together--the result reveals truths about you. Truth about me: I want to be able to work a "real job" and be a successful writer too. I want them both. Surely, I can have them both.
To make a Visionboard, instinctively clip images and words without thinking too much about it. Then tape or paste the words and pictures together–the result being truths revealed about you. Truth about me: I want to be able to work a “real job” and be a successful writer too.
I find this portion of my vision board to be very mysterious.
I find this portion of my Visionboard to be very mysterious. Especially the bottom left corner. That’s my hand writing.
This part represents where I come from and also, the future, when I am able to settle down there. This section has a lot of hidden meaning. Notice the "pursuit of happiness". I guess that's what I'm on. The pursuit of happiness.
This part represents where I come from but also the future. This section has a lot of hidden meaning. It conjures many thoughts for me. Pursuit of Happiness.

SPARK Project: A Fortune Teller Once Told Me (True Story)

Here’s my submission for SPARK. My partner Helen will respond with a photograph inspired by the piece. You may or may not remember this poem but it made an appearance on my blog many moons ago. Enjoy! I hope some folks are considering learning more about SPARK–you can participate in the project from anywhere.

 

A Fortune Teller Once Told Me (True Story)
By Terah Van Dusen

 

Several years ago
I had a psychic reading
Not at one of those hole-in-the-wall places
with the flashing lights
and crystal balls

It was done in my living room

My former roommate, Sydney, had her future read frequently
Sydney had the same lady come over to our house
oh, every couple months or so
Always when nobody was home
I don’t remember how it was arranged
but the next thing you knew,
I too was signed up for a reading
Sydney promised not to tell the “medium” a thing about me
That way we could insure accuracy

The medium didn’t wear a long, flouncy dress
Or bring a satchel full of rocks and crystals,
She showed up in her Subaru car,
dressed in a North Face pullover and jeans
Said to me, this isn’t my day job

We sat facing each other in the quiet house
Nobody there except for us,
That was one of her rules
That nobody else be there

She took a few minutes to gauge me,
Had her eyes closed, seemed to be sniffing around at the air
Like she were some kind of animal.
I closed my eyes too, I was tired

Maybe its custom to start out by saying a
few nice things about the person.
Because that’s what she did at first,
mentioned a few of my qualities,
built me up a little bit.
She said she noticed that I was a writer.

She told me:
Keep writing, someday there will be people helping you.
As you can imagine, I was pleased
This lady was good

She went on to say that there was a person from
my past, a person who wished to speak to me.
From a past life, from a past life, she clarified.
The medium then, with her eyes still closed,
began speaking in a stranger, lower voice
I realized that the spirit was speaking through her:
It’s you! It’s you! I cannot believe I can finally speak to yyyooou!
The emotion that came with this voice brought tears to my eyes
Ooooohhhhh, youuuuuuuu!
Oh, oh, you are sssso lovely in this life!

The voice was truly eerie,
but my, what a compliment! Lovely?

The medium broke the contact with the spirit
She looked at me and said:
Whoever that was they sure are fond of you.
But, know that not every spirit is good.
Spirits, like humans, are both bad and good.

Let’s move on, she said

I have some advice for you, based on what I’m seeing:
First, know that a good way to gauge your happiness, is that
you are happiest when you are light on your feet.

I would imagine…

Second, you should eat less spicy food. More fresh food.

No and okay.

You are very serious, watch more funny movies and TV shows.

Now, I have given you some advice about how to better your life,
I’d like to mention just a few other things before we close
:

You are wondering if you will have
everlasting love: you are not the type.
You will not be with the same man for all of your life.

I’ll show you!

You are wondering if you will be happy when you move from Arizona.
You will be happy, you will be more
whole than you have ever been.

In the distant future I see you standing up on a hill,
inside of a prairie or meadow.
Your arms are wide open.
You are rejoicing because
you have finally reached the place
where you’ve been headed all your life.

I will keep my eyes wide-open for that place…

That was the last psychic reading I’ve had
The only psychic reading I’ve had
The woman told me all I needed to know,
and then some.
Knowing your future is not fun.
Whether its true or not.
I mean, there’s the good:
I should keep writing!
People will be helping me!
I’m going to stretch my arms out wide like a crazy
person while standing in a high-elevation prairie!
And then there’s the bad:
I should give up Thai food,
No relationship I will have will last.

Enough is enough,
I know enough now.
I will seek that meadow where
I will be whole and free
and I will try my darndest to have a long,
happy marriage someday.
Regardless of my “destiny”

I paid the psychic $25 bucks that day.
She told me a whole lot more
But its been so long that I forgot it.
I hadn’t written it down because
at the time I was sure I’d remember it all.

Memoirs of a Breakup

I gazed at the far wall above the fireplace where I’d hung an abstract painting I found at the Goodwill, and on each side, two wooden toy guitars. I know I wasn’t the first person to procrastinate a break up because of all the work it would take. All the dividing, he gets one toy guitar, I get one toy guitar.

In the end, he would get the abstract painting. He would even get my mountain bike for fuck’s sake and yes I’m still bitter about that. I would get the curtain rods and the fancy curtains we bought down at an overpriced bohemian home decor store that I can’t even remember the name of now and he would get all the good wine glasses, of course. I would get most of the art and knick knacks and he would get the cat because it was his mother’s to begin with. I would leave him with the furniture because there was no way I was going to keep going back into that apartment. The guilt. The holes in the walls that we both made.

Two weeks later I had a new boyfriend and a new neighborhood, and oh, I got to keep all our friends. I was having sex again, and enjoying it.

I remember the night I’d pranced around in a brand new purple silk nighty from Victoria’s Secret. I’d dropped hints like bombs around the living room before he told me he wasn’t attracted to me anymore. He’d told me “you didn’t have that mustache when we met”.

I’m not Unemployed, I’m a Writer

I’m a private person. With the exception of writing my memoir, I get squirmish if too much about me is revealed. I’ll often write a post here on WordPress and then just save the draft not wanting you to know my thoughts. As if knowing those thoughts you can crack the code and know everything about me.  A lot of those posts are your everyday post/rant-types. A sort-of “I’m not feeling inspired to write actual memoir or a pretty poem (as if I do that) or a short story so I’ll blah blah blah on here for five minutes about my day.” It’s like posting a status on Facebook only painfully longer.

My fellow bloggers do this well. Most the time, not all the time, I enjoy those though. I don’t mind reading that a blogger whose writing a thriller took the day off to do her laundry or that a musician strolled the art walk and didn’t play guitar but took pictures and here they are. I guess I’m always afraid of being irrelevant. But irrelevance is OK. It happens. Daily. Why not let a few of these rant blogs slip through. Thing is–it appears that at least a couple people look at my blog every day. Well, this blog is for you. So you don’t leave empty handed headed.

 

 

I’m not Unemployed, I’m a Writer 

On October 31, 2012 I applied for unemployment. I was officially laid off on the 30th. I can now go change the bio on my blog to read “unemployed” instead of “work at a young women’s substance abuse residential treatment facility”; or I can just leave that out, or just say “writer”. Now, for the first time, I am not a social worker and then writer or a park ranger who writes or a pizza slinger poet: I’m just a writer. I’m nothing else. And, I don’t have to accept work that pays less than my former job did or that isn’t work that I’m qualified to do. In other words: I don’t have to work until I find the right job for me. So for now, I’m a writer. If anybody asks, that’s what I am. And guess what? I just hired myself.

Wait what?

I just hired myself on the condition that I show up for work on time, can meet deadlines and be a great team player. Not wanting to wear myself out, I gave myself the ideal schedule. I work part time (in a perfect world, wouldn’t this be the case for all of us?) and have the weekends off.

 

 

 

Eugene Public Library

Schedule:

Monday: 10 – 2 (I just love Mondays! Everybody’s buzzing about, getting down to business!)
Tuesday: 3:30 to 11:00 p.m. (during this time I drive to my writer’s workshop in Portland) *every other Tuesday
Wednesday: 10 – 2
Thursday: 10 – 2

My office:

Eugene Public Library (just a skip, hop, jump from home)

 

 

 

 
Additional perk:

I get to wear whatever I want to work!

 

 

 

 

 

 

 

 

 

 

Here’s the thing: I must stick to it. I must be the nicest most stern boss I’ve ever known!

 

 

 

 

 

 

 

 

 

 

 

 

Tips? Have you done this? I know I have the determination but too my fear of failure sickens me. This is my dream schedule and my dream job. Surely I won’t quit or be fired. Here’s a post from a fellow blogger whose doing the same thing only she has a real job and kids and a husband and a…(pet, probably?)

Props to Marlene Luneng for making a schedule and sticking to it. (You’ve inspired me!)

Miracle Boy

This piece I wrote in Lidia Yuknavitch’s writer’s workshop. The prompt was: write about the “peak” of an event, from someone else’s perspective. The narrator in this piece is my aunt Dorothy, the year was 1970, and if you don’t know by now–Robby is my father and a major character in my memoir.

                           “Where’s Robby?” I heard mom’s voice. She turned around and looked directly at me.
                            Her drunken gaze was unusually fixed, “Where’s Robby?”
                           I couldn’t respond before she said it again, “Where’s Robby?”
                           I looked out at the water and there was just a woman and a toddler sitting in the shallow water on the shore, a scuba diver gearing up and an older man in a bucket hat rowing a boat. The last I’d seen Robby he was swimming over by the big rock pile people liked to jump off of. But he wasn’t there anymore.
                          “I dunno where he is!” I told her, annoyed. She acted like I was the goddamn second mom. I was the oldest but I was only fourteen. If she thought I was gonna go looking for Robby she was wrong. She was the mom and she needed to remember it.
                           Mom started panicking and walking up and down the riverbank. She was asking other families if they’d seen her little boy, he was wearing a mask, she told them.
                           “Was he wearing a snorkel?”
                           “No.”
                           “No, we haven’t seen him. Not since earlier, not since lunch.”

                        Fifteen minutes went by. Fifteen minutes.
                        I watched mom look. She searched the parking lot. Robby wasn’t a parking lot kind of boy. She scanned the bushes, the tree trunks, the fields, she scanned the opposite side of the river—the wild side. No Robby. I started to get a sicky feeling in my stomach. Marie didn’t know what was going on. Robby’d gone missing before, but this just felt different, ya know? Mom felt it too. She was yelling Robby, Robby! I started yelling too. Robbbbbbyyyyyy!
                       Mom approached the scuba diver who was a few feet from the shore. She waved her arms and he wattled over on his flippers through the shallow green water. “Can you look for my son? In the water?” She asked him.

                          Ten minutes went by. Ten minutes. I saw the flick of a blue flipper make a splash on the calm surface of the water and then I saw the scuba diver’s head followed by my brother Robby’s head in front of him. He was carrying my brother Robby and he’d brought him up from way down in the water. Robby’s head was limp at the neck and there was a mask around his head still, it looked like it was weighing him down. It was my daddy’s mask. The first thing I thought was: Robby’s dead.

Pearls of Lidia’s Wisdom

The support from my friends, family, and primarily my coworkers with regards to my current writing goals has been over-the-top generous lately. One coworker offered to switch shifts with me so I didn’t have to rush back to Eugene for work after attending Lidia Yuknavitch’s writer’s workshop in Portland on Tuesday evenings. Because of my coworker’s generosity, I can chat after the workshop with my new writer friends or get lost driving in the big city (which is what I did after this first workshop).

Given all the support I’m being flooded with lately–and the fact that I recently learned some of my coworkers actually follow my blog–I figured I’d share a post about the things I’m learning in the workshop: pearls of wisdom straight from the pretty, wide mouth of Oregon’s epic author, Lidia Yuknavitch (hint: links to one of Lidia’s powerful essays). Check. It. Out. What I love (a good example is the said essay) is how Lidia addresses social issues and shouts out loud for change while using primarily her personal experience and memoir. Lidia’s past is a sopping wet rag and she’s twisted it and pulled it until the information and insights have poured out of it like warm water. And she intends to use every last drop. How much of your past have you used to change the world? If you’re like me–not enough. There’ve been a lot of lessons learned, no? Write about ’em.

Pearls (note: these are Lidia’s ideas interpreted by me–not her exact quotes):

  • A memoir can be a bunch of essay’s stitched together. In fact–it’s nearly gotta be, one doesn’t tackle a memoir in one swift movement. That’s a lot to take on. Write scenes, then stitch ’em together.
  • “Stitching” is a tough chore indeed, but it can be done.
  • Overwrite your memoir–Lidia says it was only through majorly overwriting that she found the pieces  that needed to be in the book.
  • If there’s a story that’s really scary for you to write (i.e. too revealing, too painful, too bold) for godsakes write exactly that.
  • The voices you hear in your head are your friends. Unless they start to tell you to do bad things, or are highly obnoxious or dangerous sounding in which case maybe you need to see somebody about getting properly medicated and assessed.
  • Fear, irritability, sadness, desperation…if you are experiencing these feelings, it is an excellent time to write (see, there’s always a bright side!)
  • It’s never too late to start the writing career you’ve always dreamed about. It’s never too late to start doing any of the things you’ve always dreamed of doing. It’s never too late. It’s never too late. Lidia knows from experience.

Were these pearls useful for you? Hopefully they reinforced some of the wisdom you already had but forgot, like “it’s never too late” or “write when you’re sad”. For me, as a writer, I need daily reminders of these facts. And I can’t always rely on myself for that. It’s nice to have Lidia around to give me permission. Permission to follow my crazy dreams. Permission to mess up along the way. Permission to tell the world my dirty little secrets. Writing with Lidia is very freeing, I’m very much in tune with her, we’re marching to the same drum, or the same marching band at least. I like her. I hope she likes me too. I bit my tongue a lot at the first sesh but I suspect I’ll start fighting for her attention more in the upcoming weeks. I only have 3 more sessions with the Goddess after all…

Big Blue Bin Blues

*This is a scene I gleaned from my memoir. I’ll deposit it in my Memoir section later. For now I just wanted to share it with you.

Our quiet, peaceful life as we had known it was done for. Lisa had a large family and we moved in with them up in Lacey, Washington. I don’t remember the names of most the people in the house, except for Michael Hamm. Michael was Lisa’s twenty-something nephew. He gave me cigarettes, otherwise I found him a fool.
We lived in the Hamm’s backyard in a fifth-wheel trailer. I had only my big blue bin and a diary where I chronologized how miserable I was living in Washington with the evil step-mother and her self-righteous family. I slept out on the couch in the front part of the trailer. I would sleep, cry, complain about wanting to go back to California, and on a good day, I did so while sun-bathing on a blanket out on the lawn. It was the summertime and I had virtually nothing else to do but mope around. I couldn’t tell you what my dad and Lisa were up to. As usual I was left to my own devices. There was a wall between Lisa and I. And there was a rope around both my dad’s neck and her wrist. As far as Lisa was concerned I was a disposable child, that had already been made clear. Kids, who needs ’em anyway?
The Hamm’s were very religious. Pentecostal. They went to church at least twice a week. I didn’t want to be involved. Since curtal and temples and dancing in the streets of San Francisco with the Hare Krishnas, religion hadn’t done a thing for me. But I was forced to ride along with my dad and Lisa to church. When we got there I would stay in the car and smoke any refries Lisa had left in the ashtray. Once, the church folk caught wind that I was out in the car and the pastor sent several of their perkiest teenage girls to coax me out. I could’ve punched them all in the face for knocking on the window and waking me up from my sleep. They didn’t understand. I didn’t budge. Seeing their sprightly faces and the way they all clutched on to each other like a bunch of co-dependent idiots reinforced the fact that the inside of that church was the last place I wanted to be. They didn’t understand.
I would sometimes take walks from the fifth-wheel behind the Hamm’s house to a nearby shopping center to use the payphone. I had a calling card that I used to make calls to David and we would talk about what was going on with me and what was going on with him. He told me he’d gone to a party and met a girl named Kristy. Why would he tell me that? I knew her vaguely – she was a cute Mexican girl a grade below me in school. I didn’t wallow over it. I knew David loved me. I knew he loved me and only me. Because that’s what he told me. Repeatedly. Men would do this in my life. Men would lie.

The Fruit of My Labor: A Piece About Writing and the Process

Not finished, but it’s all about the journey, not the destination. I feel good, and thank goodness for digital copies!

Some days something can go wrong but nothing, nothing, can throw you off course.

Today I woke at 4:55 a.m. but went back to sleep knowing the library didn’t open until 10:00. That’s where I needed to be and rather than wait around for the big event I went back to sleep. I woke without an alarm at 10:20 or so on my day off and showered, chugged some water, did a couple of necessary things and headed out the door with my necessities: library books for return, my wallet, and my black binder filled with the rough draft of my memoir and the 20 or so “loose” scenes I needed to merge into it.

This day had been awaiting me and after it was over I would call Nan Phifer, a local memoirist, and tell her how it went. Nan agreed to counsel me as I merged my freshly typed scenes into my first draft which I’ve been writing for, ahem, three years (this shit is not easy). I was nervous about the process of merging, wondering if these scenes even had a place to go and too I am anxious about writing the ending. Yeah, that hasn’t happened yet. Um…what does happen in the end? When does it end? Now? 2 years ago? 4 years ago?

Well aware of what a big day I had ahead of me, I first drove to a coffee shop near my house. I ordered a medium carmel latte and an everything bagel and sat down in a corner with Steven King’s On Writing: A Memoir of the Craft. He’d written it on what he thought was his death-bed and the result is a very honest, in your face account about the life of a writer and what to do and what not to do and when to give up because some people just should, according to him.  So, yeah, it’s good stuff, for sure. Hey, I had to have caffeine, and inspiration, and yeah, I had to eat too.

I burnt my tongue. I still feel it as I write this now. I thought “shit, this is the worst. Nobody should have to burn their tongue this bad on one of the biggest days of their life. Dammit.” The latte was too hot and not sweet enough and I bopped over to the self-serve counter and added some of that natural brown sugar and sat back down. I finished my morning meal and inspirational reading and nodded politely at the staff and headed on my way to library with the remaining gorgeous cup of latte in my hand.

I had to take big, deep breaths all throughout the morning. I will brimming with excitement. After returning my library books, I scanned all three stories looking for the perfect location at which I would work. Like a real writer. All sprawled out and in…the…zone. I didn’t know if this was going to take me 1 or 2 or 3 hours. I took long swings from the water fountain before I sat down at a square, polished pine table. I retrieved my black binder, my pencil-case, and Nan Phifer’s book Memoirs of the Soul, for guidance as needed.

I immediately stood up. It was instinctive. This was not a sitting task. Like Nan suggests in her book, I laid out all the scenes to merge (Nan actually applies this concept to the entire rough draft of your book, where the scenes are actually chapters, with titles, and you arrange according to your liking. I’ve adapted this concept to what I have going) and I set the rough draft off to one side. I am familiar with the scenes to merge, so I arranged them in chronological order (i.e. what happens first in the storyline). I took a good, long look at the titles of the scenes to merge. Then I sat down and started quickly reading, for the most part scanning, the rough draft of my book.

Instantly the places where the scenes needed to go started popping up. I had to dig deep into the material at some points and insure that a scene was going, relatively where it needed to go. If the scene was in the general vicinity of where it needed to go, great. It never had a home anyway, and sloppily throwing it into the book could ultimately make the story more creative and fun and non-chronological (like Lidia Yuknavitch’s memoir!) I felt I was putting these scenes just where they needed to go. I’d move ’em later if I hadn’t.

Thirty minutes later I was done. Done. There was the draft, everything I had written, nice and tidy on the corner of a square pine table in a library, in Eugene, Oregon, in a sunny room, in the best place in the world as far as I was concerned. I still needed to double-check my zip drives for scenes that may not have made it to print, as I didn’t recall seeing Tyson or Dug Out — two very important scenes. A few minutes later, in the computer lab I found that yes, there were still scenes to print and merge. I printed, I merged again, big smile on my face, standing at the square, pine table in the sunny room near a wall of local art that I really enjoyed and took a moment to look at, remembering how in the email my boyfriend’s mother sent me today she said “don’t forget to stop and smell the roses”. Good point.

An hour later and I’m at Office Depot on 11th Ave., one of my favorite places, picking up a copy I had made of my memoir. Of most of my memoir. Of my memoir, minus the ending, as you know. It is fruit. It is the fruit of my labor. It is not ripe, no, but it is there. It is food, it is hope, it is tangible and fucking sexy as hell. It is a joy to be this far. Tomorrow Nan and I will talk about, well, whatever I want to talk about and in another small way, I will have arrived. I said in the beginning that I was writing this book for me. And if that is so, than I have made myself very happy today. I am pleased today, for myself. I say most of the time nowadays that I am writing this book for other people. That is the idea, to share it with other people. Maybe with young girls who are becoming women and are making decisions and need someone to relate with. Maybe for men who like reading memoirs. Maybe with you.

The Chronology of Water by Lidia Yuknavitch

When visiting the Eugene Public Library, a bi-monthly event, I sit down at a computer and do a quick search for memoirs. I snatch one of those little square white slips of paper and one of those baby pencils with no erasers and scrawl out the call number and the first four letters of the author’s last name. Usually the memoirs are found in section 921. I write down about 7 books, knowing that I’ll be unable to locate a couple of them, for whatever reason, and that one or two I’ll end up not liking at all, upon seeing the cover, upon reading the first few lines. I’ll leave with four books or so. I’ll get ’em home and read half of those. Right now, for example, I’ve got a book called Patty’s Got A Gun, it’s about Patty Hearst. I read a little bit but it didn’t catch me because, as intriguing as the story is, I already know the gist of it and the author’s writing isn’t making me feel like he’s going to tell me anything new. The author’s writing. The author’s writing.

I used to be a big believer in fate. Not so much in destiny really, but that if I sort of held my hands out in front of me and closed my eyes and slowly walked (figuratively, for the most part) toward the places and people and trees and parks and coffee shops that felt good, that felt right, warm, light, loving, that I would end up where it was appropriate for me to be that if I had mindlessly walked into life that day. That I would end up where I was supposed to be. I used to look for signs everywhere pointing me to these places. I used to keep my eyes wide-open. I used to. I used to. That was a long time ago. Since then I’ve realized that I hold the power, regardless of how spiritually mindful I am being or not, to make things happen in my life, to change things, to get what I want, to make decisions. It’s almost as if it’s entirely up to me, and not depending upon the Universe at all. This took a while to come to terms with, being that I was raised up by such a religious father. My father always told me things like “God will take care of it.” Now, whether it was the Universe leading me to Lidia Yuknavitch’s book or that I just happened upon it: I feel that this was meant to happen. Not predetermined, just meant to happen. At this time. Not one month ago, not one year from now. Now. I’m having one of those: ohmigod, what if I had never come across this book/person/story/insight feelings.

Let me tell you more…when I did that computer search for memoirs roughly a week and a half ago I came across a book description that mentioned something about a drowning. A drowning? Hey–I know about a drowning! My Dad drowned, wait, almost, you know, not quite. Done. I wrote down the call number and the letters YUKN. My boyfriend was with me that day and he and I set out to find my memoirs. If I remember right, he found the first memoir, handed it to me, I mentioned something about it having a beautiful cover, and I tucked it under my arm, almost instinctively. I got that book about Patty Hearst, which had been mistakenly filed under her last name, like it was her book, like it was a memoir. I didn’t look twice at that book, it was like once I had Lidia Yuknavitch’s The Chronology of Water, I was all ready to go home and start reading.

When I began reading the book, I was instantly impressed with Lidia’s poetic writing. I said aloud to my boyfriend in the car, “she just called her still-born baby ‘little dead girlfish’. That’s awesome.” I looked at him and quickly said, “but not, you know, of course, but, I mean, who does that? Nice...” We got home and I put the book away and got busy for a few days with a ballet recital and family visiting and I forgot about the book. Not entirely of course. I picked it back up and got sucked into the story. Some people like to cover things up and ignore them and pretend like they never happened like an unmarked grave. Not Lidia.

I’ve got a lot to learn from Lidia Yuknavitch. Just like she had a lot to learn from Ken Kesey. About one-quarter way through the book, Lidia moves to Eugene. Eugene! That’s where I live! I’ve read other books where people move to Eugene but within a page or two they pick up and move somewhere else, like I’ve sometimes wanted to do. But Lidia, she stayed. Lidia knows that where a person lives does not make or break them. Unlike me, Lidia doesn’t say “I just feel like I’m supposed to be somewhere else” or “It will all come together when I live there and am doing that.” Lidia stays in Eugene for a decade or more and starts off going to creative writing classes at the U of O, classes that she isn’t even paying for, isn’t even signed up for, and she learns that although she feels like she can’t do anything right, she can write. She can write. Lidia stays in Eugene and she learns how to write, amidst a sea of people she feels she is nothing like. She goes to seminars with a flask tucked in her pocket and she fucks the author speaker, man or woman, at the Best Western down the road, the same Best Western where my family just stayed at when they were in town, visiting. She drives the same road I do to get to the coast and she lives in the same neighborhood, just closer to the train tracks.

I google Lidia Yuknavitch and discover that she was recently at the U of O presenting a lecture at the Memoir Fest. I knew about the Memoir Fest but decided not to go because it’s on campus and you know, I’m so above and beyond that and what does campus want with me anyway? I should’ve tucked a flask under my arm and gone. I should’ve, I should’ve.

I read some more and discovered that Lidia Yuknavitch has a Writer’s Workshop! In Portland! In September! It’s not full yet and it’s happening, it really is, on Tuesday’s, at 6:30! (If you can’t tell, I totally plan on going. And if you don’t know me, know that when I say I’m going, I go. I’ll just pretend to hear your “I’m so happy for you!” Dude, it only costs, like 150 bucks.)

I haven’t finished reading the book yet. When I have a good book I like to draw it out like my dad’s loogy. Speaking of dad’s…remember how Lidia’s book description talked about the tragedy around drowning, or almost drowning? That was her dad, her dad almost drown. She still hasn’t gotten back to that. It’s sort of hanging out in the air. I want to know what happened but I wouldn’t imagine most readers do, because nobody cares, because he was a rapist. Lidia’s got a lot of loose ends to tie up in this book, but whether she does or doesn’t, I don’t care. That’s how good this book is. I can dig any book that talks about broken women and lots of sex and S & M and men and women that behave like men and writing and drugs and more drugs and hope and hopE and hoPE and hOPE and more HOPE and VICTORY. I can dig a book that breaks all the rules. I can dig Lidia Yuknavitch.

In Praise Of The Memoir

It wasn’t even a memoir that got me interested in writing a memoir. It was a book that read like a memoir: White Oleander by Janet Fitch. I read White Oleander and I thought “I can do this, only my story will be true, not fiction.” I read it again a few days later and I thought “No, I most likely cannot do this. I cannot write with nearly as much eloquence and skill as Janet Fitch, but who can? Again I told myself, I can do this, to a certain extent. Yes I can.”

That was going on ten years ago. The seed was planted. I was a teenager then, sixteen, and I didn’t feel very comfortable telling people I was planning on writing a book. My wisdom told me that nobody cares if you’re planning on writing a book, that people only care when you are writing a book. I now know that even that is only partially true. Too, I had a feeling that some of the things I was going through at the time…really needed to be in the book. I decided to ride those things out, and planned to write about them later. Plus I was too busy partying and having emotional breakdowns and sleeping off all-night coke binges to do any writing.

My second wave of inspiration came from Jeannette Walls The Glass Castle. My. Favorite. Memoir. By far. And yes, it’s a memoir, it’s not fictional like the Janet Fitch book mentioned prior. It’s embarrassing, but at twenty-three years old or so, I still had very little knowledge about what a memoir was, as opposed to an autobiography, for example. A simple interpretation is that where an autobiography is an author’s life story, often presented chronologically, a memoir can focus on just one main event in a person’s life (such as divorce), or one time period (such as childhood) and does not need to be (nor is it recommended) chronological. However, many memoirs do touch on the author’s childhood even though the story is mainly about her divorce at age forty or will encompass several themes such as divorce, abuse, addiction and manic depression all in one. The Glass Castle, for example, is a story about poverty, alcoholism, sexual abuse, and, ultimately, forgiveness. Forgiveness is the main theme, see, the focus of a memoir isn’t all “poor me, poor me”. In fact, I do believe Jeannette Walls had to literally write this book in order to forgive her parents. Her parent’s are very deserving of forgiveness. Everyone is. See, it all worked out for everyone in the end. When people write about their parents, their grandparents, their siblings and nasty things come up: that’s just life, nasty things come up. The stories are not often intended to target or blame anybody. You can bet your bottom dollar the author is revealing all the nasty things he or she has done too (and then some, if they’re truly conscious). A story without any character’s wouldn’t make it to Chapter 2. And a character without any problems would read like a glass of water in front of a person lookin’ to get real drunk. Remember that before you question memoirists about their airing the family’s dirty laundry. I think for most of us (aspiring memoirists): it just comes naturally.  As naturally as an imperfect parent. Jeannette Wall’s mother was portrayed as a lazy, unrealistic dreamer who condoned physical and sexual abuse against her children and ended up a greasy homeless woman (with a mean mustache) living on the streets of New York City. When Jeanette published the book, her mother’s only comments seemed to be how absolutely proud she was of her daughter. I hope it works out that way for me. My father doesn’t have a computer. I showed him my blog for the first time the other day and he barely lifted a brow. He changed the subject in fact…I don’t think he gets it.

Today, I’m reading The Chronology of Water by Lidia Yuknavitch. So far, it’s a memoir that’s vastly unchronological and very poetically and intriguingly describes scenes of drug-use and sex while a young woman tries to accomplish something, anything, in her life. I ABSOLUTELY love the book at this point and I’m only a sliver deep. I have a feeling it will be right up there with White Oleander and The Glass Castle, books I consider my “model memoirs”, but of course, it’s too early to tell.

Of the twenty plus memoirs I’ve read since The Glass Castle, there are about ten I consider pure gold. I’d like to share that list with you. Perhaps you’ll enjoy the books as much as I did. In addition, please, please, please share with me the titles of your favorite memoirs! (Note: I am particularly interested in the following topics: rural America, womanhood, addiction, poverty, and sexual abuse) In fact, I very strictly do not read material that is too detached from the things I am writing about, which are the topics mentioned above. This may sound ignorant to you, it is not, this is a strategy. I am very focused on writing this memoir right now. I am eating and breathing these things. I’ll read a memoir about English high-society later. I really will.

Okay, here’s the list (sans the books that were already mentioned):

A Piece of Cake by Cupcake Brown
Another Bullshit Night in Suck City by Nick Flynn
Promiscuity by Kerry Cohen
Tweek by Nic Sheff
A Beautiful Boy by David Sheff
Some Girls: My Life in a Harem by Jullian Lauren
Expecting to Fly by Martha Tod Dudman
Running With Scissors by Augusten Burroughs
I’m Down by Mishna Wolfe
Scar Tissue by Anthony Kiedis (technically an autobio, but whatever)