Big Blue Bin Blues

*This is a scene I gleaned from my memoir. I’ll deposit it in my Memoir section later. For now I just wanted to share it with you.

Our quiet, peaceful life as we had known it was done for. Lisa had a large family and we moved in with them up in Lacey, Washington. I don’t remember the names of most the people in the house, except for Michael Hamm. Michael was Lisa’s twenty-something nephew. He gave me cigarettes, otherwise I found him a fool.
We lived in the Hamm’s backyard in a fifth-wheel trailer. I had only my big blue bin and a diary where I chronologized how miserable I was living in Washington with the evil step-mother and her self-righteous family. I slept out on the couch in the front part of the trailer. I would sleep, cry, complain about wanting to go back to California, and on a good day, I did so while sun-bathing on a blanket out on the lawn. It was the summertime and I had virtually nothing else to do but mope around. I couldn’t tell you what my dad and Lisa were up to. As usual I was left to my own devices. There was a wall between Lisa and I. And there was a rope around both my dad’s neck and her wrist. As far as Lisa was concerned I was a disposable child, that had already been made clear. Kids, who needs ’em anyway?
The Hamm’s were very religious. Pentecostal. They went to church at least twice a week. I didn’t want to be involved. Since curtal and temples and dancing in the streets of San Francisco with the Hare Krishnas, religion hadn’t done a thing for me. But I was forced to ride along with my dad and Lisa to church. When we got there I would stay in the car and smoke any refries Lisa had left in the ashtray. Once, the church folk caught wind that I was out in the car and the pastor sent several of their perkiest teenage girls to coax me out. I could’ve punched them all in the face for knocking on the window and waking me up from my sleep. They didn’t understand. I didn’t budge. Seeing their sprightly faces and the way they all clutched on to each other like a bunch of co-dependent idiots reinforced the fact that the inside of that church was the last place I wanted to be. They didn’t understand.
I would sometimes take walks from the fifth-wheel behind the Hamm’s house to a nearby shopping center to use the payphone. I had a calling card that I used to make calls to David and we would talk about what was going on with me and what was going on with him. He told me he’d gone to a party and met a girl named Kristy. Why would he tell me that? I knew her vaguely – she was a cute Mexican girl a grade below me in school. I didn’t wallow over it. I knew David loved me. I knew he loved me and only me. Because that’s what he told me. Repeatedly. Men would do this in my life. Men would lie.

Latitude on 2nd: 2012 Summer Anthology

$5.95 Hard copy/$2.99 Kindle

Many months ago I submitted three poems to Cool Waters Publishing, hoping they would select them for print in their 2012 summer anthology. Well, they did, and I’m now published for the third time ever alongside many other wonderful writers and poets!

Latitude on 2nd: 2012 Summer Anthology is available in hard copy or e-book format on Amazon.com (click link above). A special thanks to Tara Grover and Dan O’Brien of Cool Waters Publishing and Empirical Magazine in Chico, California for selecting my work and for being so helpful and encouraging in general and throughout the process. I look forward to the anthology being on my coffee table and thumbing through the compilation time and time again.

The Fruit of My Labor: A Piece About Writing and the Process

Not finished, but it’s all about the journey, not the destination. I feel good, and thank goodness for digital copies!

Some days something can go wrong but nothing, nothing, can throw you off course.

Today I woke at 4:55 a.m. but went back to sleep knowing the library didn’t open until 10:00. That’s where I needed to be and rather than wait around for the big event I went back to sleep. I woke without an alarm at 10:20 or so on my day off and showered, chugged some water, did a couple of necessary things and headed out the door with my necessities: library books for return, my wallet, and my black binder filled with the rough draft of my memoir and the 20 or so “loose” scenes I needed to merge into it.

This day had been awaiting me and after it was over I would call Nan Phifer, a local memoirist, and tell her how it went. Nan agreed to counsel me as I merged my freshly typed scenes into my first draft which I’ve been writing for, ahem, three years (this shit is not easy). I was nervous about the process of merging, wondering if these scenes even had a place to go and too I am anxious about writing the ending. Yeah, that hasn’t happened yet. Um…what does happen in the end? When does it end? Now? 2 years ago? 4 years ago?

Well aware of what a big day I had ahead of me, I first drove to a coffee shop near my house. I ordered a medium carmel latte and an everything bagel and sat down in a corner with Steven King’s On Writing: A Memoir of the Craft. He’d written it on what he thought was his death-bed and the result is a very honest, in your face account about the life of a writer and what to do and what not to do and when to give up because some people just should, according to him.  So, yeah, it’s good stuff, for sure. Hey, I had to have caffeine, and inspiration, and yeah, I had to eat too.

I burnt my tongue. I still feel it as I write this now. I thought “shit, this is the worst. Nobody should have to burn their tongue this bad on one of the biggest days of their life. Dammit.” The latte was too hot and not sweet enough and I bopped over to the self-serve counter and added some of that natural brown sugar and sat back down. I finished my morning meal and inspirational reading and nodded politely at the staff and headed on my way to library with the remaining gorgeous cup of latte in my hand.

I had to take big, deep breaths all throughout the morning. I will brimming with excitement. After returning my library books, I scanned all three stories looking for the perfect location at which I would work. Like a real writer. All sprawled out and in…the…zone. I didn’t know if this was going to take me 1 or 2 or 3 hours. I took long swings from the water fountain before I sat down at a square, polished pine table. I retrieved my black binder, my pencil-case, and Nan Phifer’s book Memoirs of the Soul, for guidance as needed.

I immediately stood up. It was instinctive. This was not a sitting task. Like Nan suggests in her book, I laid out all the scenes to merge (Nan actually applies this concept to the entire rough draft of your book, where the scenes are actually chapters, with titles, and you arrange according to your liking. I’ve adapted this concept to what I have going) and I set the rough draft off to one side. I am familiar with the scenes to merge, so I arranged them in chronological order (i.e. what happens first in the storyline). I took a good, long look at the titles of the scenes to merge. Then I sat down and started quickly reading, for the most part scanning, the rough draft of my book.

Instantly the places where the scenes needed to go started popping up. I had to dig deep into the material at some points and insure that a scene was going, relatively where it needed to go. If the scene was in the general vicinity of where it needed to go, great. It never had a home anyway, and sloppily throwing it into the book could ultimately make the story more creative and fun and non-chronological (like Lidia Yuknavitch’s memoir!) I felt I was putting these scenes just where they needed to go. I’d move ’em later if I hadn’t.

Thirty minutes later I was done. Done. There was the draft, everything I had written, nice and tidy on the corner of a square pine table in a library, in Eugene, Oregon, in a sunny room, in the best place in the world as far as I was concerned. I still needed to double-check my zip drives for scenes that may not have made it to print, as I didn’t recall seeing Tyson or Dug Out — two very important scenes. A few minutes later, in the computer lab I found that yes, there were still scenes to print and merge. I printed, I merged again, big smile on my face, standing at the square, pine table in the sunny room near a wall of local art that I really enjoyed and took a moment to look at, remembering how in the email my boyfriend’s mother sent me today she said “don’t forget to stop and smell the roses”. Good point.

An hour later and I’m at Office Depot on 11th Ave., one of my favorite places, picking up a copy I had made of my memoir. Of most of my memoir. Of my memoir, minus the ending, as you know. It is fruit. It is the fruit of my labor. It is not ripe, no, but it is there. It is food, it is hope, it is tangible and fucking sexy as hell. It is a joy to be this far. Tomorrow Nan and I will talk about, well, whatever I want to talk about and in another small way, I will have arrived. I said in the beginning that I was writing this book for me. And if that is so, than I have made myself very happy today. I am pleased today, for myself. I say most of the time nowadays that I am writing this book for other people. That is the idea, to share it with other people. Maybe with young girls who are becoming women and are making decisions and need someone to relate with. Maybe for men who like reading memoirs. Maybe with you.

Rise Part II

A sun-kissed bedroom of my own
was what I desired most as a child.
Dad and I went and looked at this place once,
it was buried behind so much tamarisk brush
that I’d never had a good look at it
but o was it a beauty
and right next door it was

It was a place made for a dad and his little girl
one bedroom custom-made for a girl,
for me,
a loft with a low ceiling and
a small bed with a pale yellow quilt and
an eggshell desk under a sun roof
and too a square window looking east
toward the sunrise.

Out the window I could see the cabin where
we lived.
The cabin where I didn’t have my own bedroom
and never would because out front there was a pond and
out back there was a fence and a chicken coop ( no room
to expand)

I sent a smile down to my dad from the loft,
it said,
Pleeeaaaasssse Dad?
He, I noticed was scoping out the french doors, smiling

We never moved to the loft.
In my memory shall remain the flirty essence of
the place and what a woman-girl I felt like inside of it.
A bunch of dudes live there now, I see ’em when I visit dad.

Rise Part I

I don’t exactly count the ways
I love summer
It’s been raining and I love that.
It’s been cold and I don’t mind.
It’s warm today and I don’t care.
I think I’ll just stay inside.

I did have a moment today however,
a summer moment.
I sat at my yellow desk between the hour
of seven and eight and was delighted to notice
how the coffee inside my red and pink heart mug
failed to get cold at all. At all, for one full hour
the coffee and cream and sweet remained warm

I watched the sun shining upon it
and I looked to the sun and it brought me back to
another bedroom I had once.
I had that bedroom for just five minutes but I had
it and there was no one else there but me.
And my dreams.
That bedroom too had a window
looking east.

10 Reasons Why I Write

1) People don’t listen to me when I talk (I’m soft-spoken and, you know, people are assholes)

2) I’m an artist

3) There’s verrrrry little overhead cost, a pen, paper? Come on

4) Being able to read and write is a priviledge not everyone has

5)  Ideally I will have a career as a writer, so I need to practice!

6) Because I aspire to publish a memoir and that requires a bunnnnch of writing

7) Because when I read books, I can’t help but think “Hey–I can do that!”

8) Some people earn lots of money writing books, I want to be like those people! I want to break my family tradition–poverty

9) I want to be well-known, small-scale, large-scale, whatever. I want a fan or two or several thousand

10) Because I’m compelled to! Somebody said (help me out here) that you don’t choose writing, writing choses you

A Portrait Of A Boy

A young boy lies on a blanket
Black powder, aluminum and iron
Fire off above his head
Loud and bright, he says oooo, woww
He’s got a black shirt on,
Black pants
He’s overweight,
or whatever,
blonde
I should be interested in something else,
anything else,
but I’m not, I want to watch this boy
He’s my little brother, my child, my father, God

The boy’s mother photographs the firework show
Chews her gum with her mouth open
She’s got a couple of girls runnin’ around too
She likes her capri pants, her icebox
She doesn’t look at me as I stare at her son,
at her, people never notice when you’re writing a poem
about ‘em
Less they’re a poet themselves and still
they like to think you’re not really doin’ it

I continue to observe the child in his environment,
watching for any majors changes
He sucks and slurps on a Tootsie pop
He’s an innocent thing who flinches
whenever the fireworks boom too loud
Mom did you see that box catch on fire?!
Yes,
she clicks.
Slurp.

I want to watch him grow but he isn’t mine
and I think I’m OK anyway watching other
people’s children.

Independent Feet

Bring your own beer
A field
A horizon to die for
Locals, my kin
Wander about

A small boy child
runs by me
His shoe hits my knee
I feel the traction from the
bottom of his shoe
Uneven and rubbery,
He keeps a goin’

I sit and watch a girl who
never left town buy drugs
She is daring in her bright red
lipstick out here in the sticks
and it suits her well
and she is beyond this and that
but I can’t help but look at her and think
Oh no, not me
I could be just like her
sneakily swallowing a paracute of
powdery bliss
powdery paranoia
powdery headache

But it’s been years now and I’m
different, better

The fireworks blast and fire off above
and all around us
A little boy with no shoes runs by
I look at his face to see if I recognize him
but of course I do not

The Chronology of Water by Lidia Yuknavitch

When visiting the Eugene Public Library, a bi-monthly event, I sit down at a computer and do a quick search for memoirs. I snatch one of those little square white slips of paper and one of those baby pencils with no erasers and scrawl out the call number and the first four letters of the author’s last name. Usually the memoirs are found in section 921. I write down about 7 books, knowing that I’ll be unable to locate a couple of them, for whatever reason, and that one or two I’ll end up not liking at all, upon seeing the cover, upon reading the first few lines. I’ll leave with four books or so. I’ll get ’em home and read half of those. Right now, for example, I’ve got a book called Patty’s Got A Gun, it’s about Patty Hearst. I read a little bit but it didn’t catch me because, as intriguing as the story is, I already know the gist of it and the author’s writing isn’t making me feel like he’s going to tell me anything new. The author’s writing. The author’s writing.

I used to be a big believer in fate. Not so much in destiny really, but that if I sort of held my hands out in front of me and closed my eyes and slowly walked (figuratively, for the most part) toward the places and people and trees and parks and coffee shops that felt good, that felt right, warm, light, loving, that I would end up where it was appropriate for me to be that if I had mindlessly walked into life that day. That I would end up where I was supposed to be. I used to look for signs everywhere pointing me to these places. I used to keep my eyes wide-open. I used to. I used to. That was a long time ago. Since then I’ve realized that I hold the power, regardless of how spiritually mindful I am being or not, to make things happen in my life, to change things, to get what I want, to make decisions. It’s almost as if it’s entirely up to me, and not depending upon the Universe at all. This took a while to come to terms with, being that I was raised up by such a religious father. My father always told me things like “God will take care of it.” Now, whether it was the Universe leading me to Lidia Yuknavitch’s book or that I just happened upon it: I feel that this was meant to happen. Not predetermined, just meant to happen. At this time. Not one month ago, not one year from now. Now. I’m having one of those: ohmigod, what if I had never come across this book/person/story/insight feelings.

Let me tell you more…when I did that computer search for memoirs roughly a week and a half ago I came across a book description that mentioned something about a drowning. A drowning? Hey–I know about a drowning! My Dad drowned, wait, almost, you know, not quite. Done. I wrote down the call number and the letters YUKN. My boyfriend was with me that day and he and I set out to find my memoirs. If I remember right, he found the first memoir, handed it to me, I mentioned something about it having a beautiful cover, and I tucked it under my arm, almost instinctively. I got that book about Patty Hearst, which had been mistakenly filed under her last name, like it was her book, like it was a memoir. I didn’t look twice at that book, it was like once I had Lidia Yuknavitch’s The Chronology of Water, I was all ready to go home and start reading.

When I began reading the book, I was instantly impressed with Lidia’s poetic writing. I said aloud to my boyfriend in the car, “she just called her still-born baby ‘little dead girlfish’. That’s awesome.” I looked at him and quickly said, “but not, you know, of course, but, I mean, who does that? Nice...” We got home and I put the book away and got busy for a few days with a ballet recital and family visiting and I forgot about the book. Not entirely of course. I picked it back up and got sucked into the story. Some people like to cover things up and ignore them and pretend like they never happened like an unmarked grave. Not Lidia.

I’ve got a lot to learn from Lidia Yuknavitch. Just like she had a lot to learn from Ken Kesey. About one-quarter way through the book, Lidia moves to Eugene. Eugene! That’s where I live! I’ve read other books where people move to Eugene but within a page or two they pick up and move somewhere else, like I’ve sometimes wanted to do. But Lidia, she stayed. Lidia knows that where a person lives does not make or break them. Unlike me, Lidia doesn’t say “I just feel like I’m supposed to be somewhere else” or “It will all come together when I live there and am doing that.” Lidia stays in Eugene for a decade or more and starts off going to creative writing classes at the U of O, classes that she isn’t even paying for, isn’t even signed up for, and she learns that although she feels like she can’t do anything right, she can write. She can write. Lidia stays in Eugene and she learns how to write, amidst a sea of people she feels she is nothing like. She goes to seminars with a flask tucked in her pocket and she fucks the author speaker, man or woman, at the Best Western down the road, the same Best Western where my family just stayed at when they were in town, visiting. She drives the same road I do to get to the coast and she lives in the same neighborhood, just closer to the train tracks.

I google Lidia Yuknavitch and discover that she was recently at the U of O presenting a lecture at the Memoir Fest. I knew about the Memoir Fest but decided not to go because it’s on campus and you know, I’m so above and beyond that and what does campus want with me anyway? I should’ve tucked a flask under my arm and gone. I should’ve, I should’ve.

I read some more and discovered that Lidia Yuknavitch has a Writer’s Workshop! In Portland! In September! It’s not full yet and it’s happening, it really is, on Tuesday’s, at 6:30! (If you can’t tell, I totally plan on going. And if you don’t know me, know that when I say I’m going, I go. I’ll just pretend to hear your “I’m so happy for you!” Dude, it only costs, like 150 bucks.)

I haven’t finished reading the book yet. When I have a good book I like to draw it out like my dad’s loogy. Speaking of dad’s…remember how Lidia’s book description talked about the tragedy around drowning, or almost drowning? That was her dad, her dad almost drown. She still hasn’t gotten back to that. It’s sort of hanging out in the air. I want to know what happened but I wouldn’t imagine most readers do, because nobody cares, because he was a rapist. Lidia’s got a lot of loose ends to tie up in this book, but whether she does or doesn’t, I don’t care. That’s how good this book is. I can dig any book that talks about broken women and lots of sex and S & M and men and women that behave like men and writing and drugs and more drugs and hope and hopE and hoPE and hOPE and more HOPE and VICTORY. I can dig a book that breaks all the rules. I can dig Lidia Yuknavitch.