Memoirs of a Breakup

I gazed at the far wall above the fireplace where I’d hung an abstract painting I found at the Goodwill, and on each side, two wooden toy guitars. I know I wasn’t the first person to procrastinate a break up because of all the work it would take. All the dividing, he gets one toy guitar, I get one toy guitar.

In the end, he would get the abstract painting. He would even get my mountain bike for fuck’s sake and yes I’m still bitter about that. I would get the curtain rods and the fancy curtains we bought down at an overpriced bohemian home decor store that I can’t even remember the name of now and he would get all the good wine glasses, of course. I would get most of the art and knick knacks and he would get the cat because it was his mother’s to begin with. I would leave him with the furniture because there was no way I was going to keep going back into that apartment. The guilt. The holes in the walls that we both made.

Two weeks later I had a new boyfriend and a new neighborhood, and oh, I got to keep all our friends. I was having sex again, and enjoying it.

I remember the night I’d pranced around in a brand new purple silk nighty from Victoria’s Secret. I’d dropped hints like bombs around the living room before he told me he wasn’t attracted to me anymore. He’d told me “you didn’t have that mustache when we met”.

My Own Personal Truth

Why would I drop out?
Of life?
Like my daddy did?
On a mountain
In the bush
Just a bible and a pile o books
Because of people like her
The kinds with their heads up their
arses
When my heads up my arse
I just stay home
Some people need be far away.
I’m one of ’em
It’s not you, it’s me
Making all her nowhere plans
for nobody

What I truly desire
In the middle of my being
Is to hide my plastic face
From the world
And to feel the earth
From the inside out
Where instead of looking at my
reflection first thing in the a.m.,
I’ll look at it at night
And see how the day
happened to change me
Or maybe I won’t look at all
Wouldn’t that be somethin’?

I Grew A Girl

There’s a margin in
which I can change
It’s shallow,
a low roof,
gnome’s entrance,
cock-pit,
dog house,
gopher’s hole,
sugar bowl,
A pore
In which I can change
I grew a girl
A girl who will never
be any other kind of rose
Who will shed and bud the
same shape of leaf
Year after year
I will be happy,
But I will never smile like
the girl-next-door,
At fourteen
I was already the
woman upstairs

Pearls of Lidia’s Wisdom

The support from my friends, family, and primarily my coworkers with regards to my current writing goals has been over-the-top generous lately. One coworker offered to switch shifts with me so I didn’t have to rush back to Eugene for work after attending Lidia Yuknavitch’s writer’s workshop in Portland on Tuesday evenings. Because of my coworker’s generosity, I can chat after the workshop with my new writer friends or get lost driving in the big city (which is what I did after this first workshop).

Given all the support I’m being flooded with lately–and the fact that I recently learned some of my coworkers actually follow my blog–I figured I’d share a post about the things I’m learning in the workshop: pearls of wisdom straight from the pretty, wide mouth of Oregon’s epic author, Lidia Yuknavitch (hint: links to one of Lidia’s powerful essays). Check. It. Out. What I love (a good example is the said essay) is how Lidia addresses social issues and shouts out loud for change while using primarily her personal experience and memoir. Lidia’s past is a sopping wet rag and she’s twisted it and pulled it until the information and insights have poured out of it like warm water. And she intends to use every last drop. How much of your past have you used to change the world? If you’re like me–not enough. There’ve been a lot of lessons learned, no? Write about ’em.

Pearls (note: these are Lidia’s ideas interpreted by me–not her exact quotes):

  • A memoir can be a bunch of essay’s stitched together. In fact–it’s nearly gotta be, one doesn’t tackle a memoir in one swift movement. That’s a lot to take on. Write scenes, then stitch ’em together.
  • “Stitching” is a tough chore indeed, but it can be done.
  • Overwrite your memoir–Lidia says it was only through majorly overwriting that she found the pieces  that needed to be in the book.
  • If there’s a story that’s really scary for you to write (i.e. too revealing, too painful, too bold) for godsakes write exactly that.
  • The voices you hear in your head are your friends. Unless they start to tell you to do bad things, or are highly obnoxious or dangerous sounding in which case maybe you need to see somebody about getting properly medicated and assessed.
  • Fear, irritability, sadness, desperation…if you are experiencing these feelings, it is an excellent time to write (see, there’s always a bright side!)
  • It’s never too late to start the writing career you’ve always dreamed about. It’s never too late to start doing any of the things you’ve always dreamed of doing. It’s never too late. It’s never too late. Lidia knows from experience.

Were these pearls useful for you? Hopefully they reinforced some of the wisdom you already had but forgot, like “it’s never too late” or “write when you’re sad”. For me, as a writer, I need daily reminders of these facts. And I can’t always rely on myself for that. It’s nice to have Lidia around to give me permission. Permission to follow my crazy dreams. Permission to mess up along the way. Permission to tell the world my dirty little secrets. Writing with Lidia is very freeing, I’m very much in tune with her, we’re marching to the same drum, or the same marching band at least. I like her. I hope she likes me too. I bit my tongue a lot at the first sesh but I suspect I’ll start fighting for her attention more in the upcoming weeks. I only have 3 more sessions with the Goddess after all…

Look Away Dumb Bitch

Most women crave attention.
You can see it all over their faces as
they walk down the street.
You can see it in the way they ignore you.
The way they play dumb.
Play dumb in sundresses and slouchy bags.
Dumb.
Every last one of us.

I’m at a crowded lake alone.
I’m on the shore under a grove of
droopy Fir trees and I have my legs
and my pink dress and it’s warm.

All afternoon I’ve been needing cheered up.
It’s more than that–I have to somehow stay afloat.

I stare out at the pale gray lake with its buoys
and children
and tall,
sharp
green
blades of sea grass.
My life could be worse,
I could be in there,
cut up.

A car rolls by.
A clean shaven man looks at
me from inside of it.
He wants my bloody pussy.

A figure in the passenger’s seat
cranes their neck to see me.

The car parks.
There is a raft up top.
Out climbs a husband and wife,
as evident by a child.
The child looks my way.
I check out the man.
I look away.
I look back.
A family.
A threesome.
No doubt they’ve had bad times,
like I’m having now.
They are unhappy too, aren’t they?
Stop staring at the family.
I think to myself.
It’s rude.
You do not belong.
You are not allowed to do this.
Look away. Don’t look at the man.
He only glanced at you, fool.
You know who loves you?
Your boyfriend.

I silently permit the poor wife to kick my ass.
I am a dumb bitch, even if I do look away.
I disgust myself.

Big Blue Bin Blues

*This is a scene I gleaned from my memoir. I’ll deposit it in my Memoir section later. For now I just wanted to share it with you.

Our quiet, peaceful life as we had known it was done for. Lisa had a large family and we moved in with them up in Lacey, Washington. I don’t remember the names of most the people in the house, except for Michael Hamm. Michael was Lisa’s twenty-something nephew. He gave me cigarettes, otherwise I found him a fool.
We lived in the Hamm’s backyard in a fifth-wheel trailer. I had only my big blue bin and a diary where I chronologized how miserable I was living in Washington with the evil step-mother and her self-righteous family. I slept out on the couch in the front part of the trailer. I would sleep, cry, complain about wanting to go back to California, and on a good day, I did so while sun-bathing on a blanket out on the lawn. It was the summertime and I had virtually nothing else to do but mope around. I couldn’t tell you what my dad and Lisa were up to. As usual I was left to my own devices. There was a wall between Lisa and I. And there was a rope around both my dad’s neck and her wrist. As far as Lisa was concerned I was a disposable child, that had already been made clear. Kids, who needs ’em anyway?
The Hamm’s were very religious. Pentecostal. They went to church at least twice a week. I didn’t want to be involved. Since curtal and temples and dancing in the streets of San Francisco with the Hare Krishnas, religion hadn’t done a thing for me. But I was forced to ride along with my dad and Lisa to church. When we got there I would stay in the car and smoke any refries Lisa had left in the ashtray. Once, the church folk caught wind that I was out in the car and the pastor sent several of their perkiest teenage girls to coax me out. I could’ve punched them all in the face for knocking on the window and waking me up from my sleep. They didn’t understand. I didn’t budge. Seeing their sprightly faces and the way they all clutched on to each other like a bunch of co-dependent idiots reinforced the fact that the inside of that church was the last place I wanted to be. They didn’t understand.
I would sometimes take walks from the fifth-wheel behind the Hamm’s house to a nearby shopping center to use the payphone. I had a calling card that I used to make calls to David and we would talk about what was going on with me and what was going on with him. He told me he’d gone to a party and met a girl named Kristy. Why would he tell me that? I knew her vaguely – she was a cute Mexican girl a grade below me in school. I didn’t wallow over it. I knew David loved me. I knew he loved me and only me. Because that’s what he told me. Repeatedly. Men would do this in my life. Men would lie.

Rise Part II

A sun-kissed bedroom of my own
was what I desired most as a child.
Dad and I went and looked at this place once,
it was buried behind so much tamarisk brush
that I’d never had a good look at it
but o was it a beauty
and right next door it was

It was a place made for a dad and his little girl
one bedroom custom-made for a girl,
for me,
a loft with a low ceiling and
a small bed with a pale yellow quilt and
an eggshell desk under a sun roof
and too a square window looking east
toward the sunrise.

Out the window I could see the cabin where
we lived.
The cabin where I didn’t have my own bedroom
and never would because out front there was a pond and
out back there was a fence and a chicken coop ( no room
to expand)

I sent a smile down to my dad from the loft,
it said,
Pleeeaaaasssse Dad?
He, I noticed was scoping out the french doors, smiling

We never moved to the loft.
In my memory shall remain the flirty essence of
the place and what a woman-girl I felt like inside of it.
A bunch of dudes live there now, I see ’em when I visit dad.

The Chronology of Water by Lidia Yuknavitch

When visiting the Eugene Public Library, a bi-monthly event, I sit down at a computer and do a quick search for memoirs. I snatch one of those little square white slips of paper and one of those baby pencils with no erasers and scrawl out the call number and the first four letters of the author’s last name. Usually the memoirs are found in section 921. I write down about 7 books, knowing that I’ll be unable to locate a couple of them, for whatever reason, and that one or two I’ll end up not liking at all, upon seeing the cover, upon reading the first few lines. I’ll leave with four books or so. I’ll get ’em home and read half of those. Right now, for example, I’ve got a book called Patty’s Got A Gun, it’s about Patty Hearst. I read a little bit but it didn’t catch me because, as intriguing as the story is, I already know the gist of it and the author’s writing isn’t making me feel like he’s going to tell me anything new. The author’s writing. The author’s writing.

I used to be a big believer in fate. Not so much in destiny really, but that if I sort of held my hands out in front of me and closed my eyes and slowly walked (figuratively, for the most part) toward the places and people and trees and parks and coffee shops that felt good, that felt right, warm, light, loving, that I would end up where it was appropriate for me to be that if I had mindlessly walked into life that day. That I would end up where I was supposed to be. I used to look for signs everywhere pointing me to these places. I used to keep my eyes wide-open. I used to. I used to. That was a long time ago. Since then I’ve realized that I hold the power, regardless of how spiritually mindful I am being or not, to make things happen in my life, to change things, to get what I want, to make decisions. It’s almost as if it’s entirely up to me, and not depending upon the Universe at all. This took a while to come to terms with, being that I was raised up by such a religious father. My father always told me things like “God will take care of it.” Now, whether it was the Universe leading me to Lidia Yuknavitch’s book or that I just happened upon it: I feel that this was meant to happen. Not predetermined, just meant to happen. At this time. Not one month ago, not one year from now. Now. I’m having one of those: ohmigod, what if I had never come across this book/person/story/insight feelings.

Let me tell you more…when I did that computer search for memoirs roughly a week and a half ago I came across a book description that mentioned something about a drowning. A drowning? Hey–I know about a drowning! My Dad drowned, wait, almost, you know, not quite. Done. I wrote down the call number and the letters YUKN. My boyfriend was with me that day and he and I set out to find my memoirs. If I remember right, he found the first memoir, handed it to me, I mentioned something about it having a beautiful cover, and I tucked it under my arm, almost instinctively. I got that book about Patty Hearst, which had been mistakenly filed under her last name, like it was her book, like it was a memoir. I didn’t look twice at that book, it was like once I had Lidia Yuknavitch’s The Chronology of Water, I was all ready to go home and start reading.

When I began reading the book, I was instantly impressed with Lidia’s poetic writing. I said aloud to my boyfriend in the car, “she just called her still-born baby ‘little dead girlfish’. That’s awesome.” I looked at him and quickly said, “but not, you know, of course, but, I mean, who does that? Nice...” We got home and I put the book away and got busy for a few days with a ballet recital and family visiting and I forgot about the book. Not entirely of course. I picked it back up and got sucked into the story. Some people like to cover things up and ignore them and pretend like they never happened like an unmarked grave. Not Lidia.

I’ve got a lot to learn from Lidia Yuknavitch. Just like she had a lot to learn from Ken Kesey. About one-quarter way through the book, Lidia moves to Eugene. Eugene! That’s where I live! I’ve read other books where people move to Eugene but within a page or two they pick up and move somewhere else, like I’ve sometimes wanted to do. But Lidia, she stayed. Lidia knows that where a person lives does not make or break them. Unlike me, Lidia doesn’t say “I just feel like I’m supposed to be somewhere else” or “It will all come together when I live there and am doing that.” Lidia stays in Eugene for a decade or more and starts off going to creative writing classes at the U of O, classes that she isn’t even paying for, isn’t even signed up for, and she learns that although she feels like she can’t do anything right, she can write. She can write. Lidia stays in Eugene and she learns how to write, amidst a sea of people she feels she is nothing like. She goes to seminars with a flask tucked in her pocket and she fucks the author speaker, man or woman, at the Best Western down the road, the same Best Western where my family just stayed at when they were in town, visiting. She drives the same road I do to get to the coast and she lives in the same neighborhood, just closer to the train tracks.

I google Lidia Yuknavitch and discover that she was recently at the U of O presenting a lecture at the Memoir Fest. I knew about the Memoir Fest but decided not to go because it’s on campus and you know, I’m so above and beyond that and what does campus want with me anyway? I should’ve tucked a flask under my arm and gone. I should’ve, I should’ve.

I read some more and discovered that Lidia Yuknavitch has a Writer’s Workshop! In Portland! In September! It’s not full yet and it’s happening, it really is, on Tuesday’s, at 6:30! (If you can’t tell, I totally plan on going. And if you don’t know me, know that when I say I’m going, I go. I’ll just pretend to hear your “I’m so happy for you!” Dude, it only costs, like 150 bucks.)

I haven’t finished reading the book yet. When I have a good book I like to draw it out like my dad’s loogy. Speaking of dad’s…remember how Lidia’s book description talked about the tragedy around drowning, or almost drowning? That was her dad, her dad almost drown. She still hasn’t gotten back to that. It’s sort of hanging out in the air. I want to know what happened but I wouldn’t imagine most readers do, because nobody cares, because he was a rapist. Lidia’s got a lot of loose ends to tie up in this book, but whether she does or doesn’t, I don’t care. That’s how good this book is. I can dig any book that talks about broken women and lots of sex and S & M and men and women that behave like men and writing and drugs and more drugs and hope and hopE and hoPE and hOPE and more HOPE and VICTORY. I can dig a book that breaks all the rules. I can dig Lidia Yuknavitch.

Top Of The Tree

I’m remembering those girls from high school
No, not those girls,
the other ones
The few who were untouchable.
The girls who were so incredibly
beautiful the guys didn’t even talk about them
It was as if they weren’t even there.
The guys didn’t elbow each other, point and say,
Hey, look at her, it must be cold out today, haha,
She’s a human thermometer,
like they said about me
No, they kept their mouths shut about these ones,
Looked at them in secrecy

These girls were in theatre,
They hid behind books,
They had long, Rapunzel hair and wool
knee-high socks they wore in the
middle of the desert
These girls were my fantasy,
In fact sometimes I wondered if
I were the only one who could see them
as I watched the boys
chase cheerleaders, man-eaters,
and the football coach’s daughter