Widow Home Part II

This place was my first fancy meal, in a trailer-turned-Taj-Mahal where we ate steamed whole artichokes dipped in melted butter and T-bone steak. This place was Peggy and me, sixty years apart in age, sitting Indian-style across from one another, in a mobile three blocks from McDonalds hands clasped in front of us in prayer gently singing we are siamese if you please, we are siamese if you don’t please. At that time my voice was so soft it was barely there. And while my vibrant, open, excited child’s-mind could capture these memories I have just shared with you, the reality is that I could not even mutter a thank you. Often one-on-one with Peggy I would freeze. The intimacy of the energy that was with us being too much. Tapping a place I knew little about—the relationship between woman and woman.

Throughout every moment with Peggy, or with Tina, my great Aunt, I felt pampered, like a princess-child. Like I could take on the world. Like I was somewhere else completely. Like I was someone else completely. My higher self. I could rest. I could wake and see magical things. I was in a magical world. Like a girl in a Disney movie. Like a girl on TV, in a normal home, with a normal family. Where things looked good and smelled good and felt good on your skin. Where you were rewarded for your hard work—an orange and crème popsicle for doing the dishes. Where nothing was out to get you.

After two nights or so my dad would pull up out front in the pickup-of-the-week. It would be seven p.m. on Sunday, getting dark, a school night and Peggy would say something about that and arms would raise and for the first time in two days my little white arms would get cold from standing in the sea air watching my dad defend himself, sawdust and oil on his pants and hands, him talking about a late start and needing to finish bucking the alder and I haven’t even sold it yet and I’ve got to go meet the guy tonight, actually and me noticing the blue tarp over the heap of wood in the back of the truck. Peggy would give me a dry kiss on the cheek and though there was a certain carefree comfort I felt with my dad, my eyes might sting with a tear or two as I watched that mobile-home-castle get smaller in the mirror reading objects in mirror are closer than they appear and thinking I sure hope so.

Fantasy

I am a lover
in dreams
a wife
later on
a mother
hypothetically
an idea
forever
always
always
always
available to
be a girlfriend
good for a
flatter
a flirt
when I’m not
being a brick wall
I am of my own creation
You reap just what you sew
I am a fantasy
good for only
brief periods
of a man’s day
outliving the
otherwoman’s
demands
I live
in the space
before sleeping
in the stolen time
after dinner when
your wife
is cleaning up
I live in your
dusty roads
lined with roses
and sunset light
I am an idea
an adventure
I show up
on mountain-tops
when you’ve fallen
behind the group
and feel
that someone’s
there with you,
that’s me
You think,
I know who
would like this place
You give me that.

Off-Track III

Days off
these days
are for
carefully scanning
my body for signs
of life
desperately scanning
my mind
unraveling
the truth
of my friends
crying to the
moon for help
having a hard time
holding my head
up high
folding in,
caving in
to the noodles
of blankets on
my bed
letting go
watching
my hopes
take flight
like a
balloon
in the
wind

Off-Track II

Days off
these days
are for
longing,
skipping,
long walk walking
poetry
bars for breakfast
potatoes and eggs
kicking stones
friends like squirrels
and birds
and gnomes
homes where nobody’s home
but working and I’m thinking
have fun in there
whisper-staring through the
front window at a dusty dining
room table, at the tall burgundy
taper candles still
in their wrappers
wicks never been lit
Days off are for judging
watching my feet on the
concrete
pine needles, the straws
from convenient store cups
the occasional cigarette butt
and I’d be lying if I left out
that I still, out of habit,
hope for a
long one
poor
trash
girl
Days off are too hot,
pleasant when they’re rainy
optimistic or full-of-shit
Quiet
Loud
I regulate
the sound
Days off are liquid
coffee grounds in
the wastebasket
and why do they
make those things white?
Days off are songs
on the radio that make
me say man I wish
I could wail like that
Days off are
long and
mysterious
these days

Off-Track

Days off
these days
are for
longing
skipping
long walk walking
poetry
bars for breakfast
potatoes and eggs for supper
remembering Grandma Faith
and how it was she who said ‘supper’
loving great-grandmother but hating the
word supper because of all the dirt, red air,
evil stares, soggy tomatoes, oily cups of coffee
and greasy pianos that were my childhood with her

No, I’m Good!

I am only
weeping,
screaming,
and calling
to humor you!

I do not despise
the world and
all those
within it.

I do not fear
that insanity
is upon me,
not really.

I do not pace
my space and
tug at my hair
for fear that I
will never again
be rightfully loved.

I did not go from
over-the-moon
to bottom-of-the-sea
all because of three
little words you never
said to me.

Your absence did not
tail-spin me into isolation,
fear, and fool.

I am perfectly capable
and hopeful!

You had nothing
to do with my head
ballooning to the sky
and getting gnarled in the trees.

You are not the reason
I see Lucifer in the face
of all those around me.

You did not tap a place
inside of me that only
knows rage and sadness.

You did not remind
me of how little I am
loved, of how unlovable
I am.

You did not!

The Ol’ Hometown

There is nothing
I love more
than your morning
stretching out
from the sea
to the hills
and south,
pouring in
through
the trees
lighting  up
the forest floor
daring the
people to
stumble from
their trailer doors
for pots of coffee
at the Fisherman’s
Restaurant and
for mountain-people
drawl over KCRE
radio

My hometown
watches soggy
bottom toddlers
grow up fast,
JR this JR that

Often people
hit big trees
with their
cars and die

He was a good guy
He was a good guy

We scan the paper
for friends and foe
just drunk and in
the tank or
worse maybe

He was a good guy

Mysterious people
get engaged and
have babies
and they get
their pictures
in the paper
their shining faces
are from out-of-town
and I think
what are they
running from?

They come in
for good jobs
with the city

and never
leave

But every
day they wonder
why not?

Save the sunsets
and sea lions
their aint
much to speak
of here

This is Mundane Business

It’s all about
accepting the space
between really living
and the
face scrubbing,
dishwashing,
pajama-putting-on,
mail opening,
penny pinching,
toenail pickin’,
great-aunt calling,
lunch makin’,
list checking,
clock punchin’,
goddamn
car washin’
oil changin’
money chasin’
space
of
it
all

We All Remember (Cabin Kids)

We all remember
the running and playing
how we cursed darkness
and dinner bells,
tumbling in at
dusk’s very
last moment
before the sky winks the
day goodbye
catching your breath
before the
closed cabin door
waving goodbye,
Johnny, an unassuming boy
hollering have a good night!
hands-sapped,
knees-scraped,
buttons burst,
braid unravelled
We all remember
our hair stuck
to our foreheads
or long streams of sweat
dripping down, traveling the
length of our nose,
those ninety-degree
summer nights
We remember our
parents saying
I wish I could bottle
that energy and sell it!
before ashing in their
beer can,
white flakes
falling
on a
plate
of
franks
and
ketchup